The Amber Room of Rivendell glowed with light, buzzed with a pleasant undertone of conversation, and echoed with the ringing peal of elvish laughter. The Amber Room was one of Rivendell’s lesser dining halls, usually reserved for intimate meals. This day its rectangular table hosted an irregular assortment of diners. Elrond sat in the position of honor at the head of the table. Arwen sat at his right, a vision in blue and silver. To her right, travel worn but beaming, sat Aragorn. An emissary from Thranduil sat at Elrond’s left, appearing somewhat off balance, if such a thing could be said of an elf. A few more of Elrond’s household filled out the rest of the table’s long sides.
I spent the weekend at a forested cabin on a riverbank. A cabin weekend means relaxation. I did get some work done on the third Karl Throson novel, but otherwise the time was dedicated to playing board and card games, reading, strolling about a bit, and relaxing. That means the Sunday afternoon at home is full of chores, limiting time to write a post. So, instead, here are some pictures and a bonus snippet from my hybrid Sword-and-Sorcery/crime novel Thick As Thieves. Enjoy.
I had intended to write another post on anthologies. However, I was about three and a half stories through a collection when Peace Talks arrived. So much for that plan. I’m about halfway through the latest of Harry Dresden’s series of unfortunate events. Once I’m done, I’ll get back to revisiting Fafhrd and Gray Mouser’s shenanigans.
Reading Peace Talks, however, raised in my mind the question of whether or not the Dresden Files are sword-and-sorcery. Superficially, why not? The main character is a wizard. One of his buddies is a sort of holy warrior, often armored up and swinging a sword. So we’ve got both swords and sorcery right there. I recently wrote a post in which I enumerated what I thought were the essential components of sword-and-sorcery fiction. Why not run through those with an eye to Jim Butcher’s tales of Harry Dresden and a Chicago infested with the supernatural.
It is Father’s Day. I’m busy enjoying it, so this will be short. Let me just say that I can think of worse ways to burn a couple of hours than heading to woods with a minor arsenal and a hundred bucks or so worth of ammunition.
I hope your day is equally on target.
And now, time to start cleaning.
Actual writing constitutes the bulk of creating a book. Sitting my ass down and getting the words transferred from my fevered, abnormal imagination and into the computer. Then there’s the revising, the editing, etc. But that’s all part of writing.
Today is one of those times I wish I did not attempt to maintain a weekly posting schedule on this web log. Not because I have nothing to say. On the contrary; I do have information I wish to share. But I can’t, yet. I don’t mind keeping a secret, I just really don’t want to in this instance.
Perhaps you are new to this planet, or have been living in a bomb shelter all your life with limited reading material. Maybe you recently stumbled upon a trove of Molly Hatchet album covers at a garage sale, with those paintings by Frank Frazetta and you start wondering what is all this about. Well, given those farfetched hypotheticals, or something similar, I’m here to offer the five writers you should familiarize yourself with to become conversant with the Swords and Sorcery genre.
Swords & Sorcery is one of those terms that defies precise definition. So, it is, I suppose, another one of those other concepts that can be encapsulated in the phrase “I know it when I see it.” And there is, I think, a certain prurience involved, without which S&S would fail to distinguish itself as a distinctive branch of Fantasy.