Pulp Swords-and-Sorcery stories conveyed a certain esthetic. There was a focus and an energy to them that came through even with authors milking every penny from the word count. I like it. Practitioners of the artform have carried that energy from short stories to novellas and full-length novels. What I’ve wondered is if the esthetic can translate from secondary worlds and mythic history to contemporary fantasy. That is, can one remove the Swords from S&S and substitute modern weaponry while retaining both the driving adventure and the fantastical elements? While working through this, I’ve substituted the term “Semi-automatics” for “Swords.” It maintains the alliteration while holding a conceptual through line, I think.
Last Wednesday I wrote “The End” on the first draft of “Captain.” Saturday I celebrated.
There remains a way to go before I can consider the novel complete, but most of the heavy lifting is finished. Now I need to set it aside, turn my mind to something else before commencing the second draft. That something else is book three of the series: “Warlord.” I began outlining Thursday morning.