Location, location, location. Setting is a vital component of Sword-and-Sorcery fiction. The action needs to occur in some pre-industrial locale, a secondary world, a fictionalized fantasy Earth, another planet, or some similar backdrop. Somewhere, that is, where the sword is a viable weapon, rather than an antiquated prop. The sword is that evocative. A steel,… Continue reading Setting and Sword-and-Sorcery. Plus Savage Journal Entry 31.
If Ken Lizzi has a quest it is to help infuse a pulp sensibility into 21st Century fiction