January 31, 2016
I’ve nearly completed re-reading “The Worm Ouroboros,” E.R. Eddison’s underappreciated masterpiece. It is a mine worth delving into again, its depths not fully plumbed, its treasures still unmeasured. If I haven’t made myself clear, I love it. The villains are Shakespearean, complex and fascinating. The heros are Homeric, grandly larger than life, embodiments of virility and arete. The language is gorgeous, archaically poetic.
An aside: I know Tolkien read and appreciated “The Worm Ouroboros” despite Eddison’s philosophy, as espoused in the book, being antithetical to Tolkien’s. But I wonder how deeply “The Lord of the Rings” was inspired by “Worm,” if at all. I mention it, because while reading a description in “Worm” of a mustering of troops I was reminded of the scene in “The Fellowship of the Ring” when Pippen is watching the arrival of soldiers before the siege of Gondor, the description of the men, the naming and characterization of the leaders, their homes, etc. A side by side comparison would be interesting, I think.
I’m also in the last third of Steven Brust’s most recent Vlad Taltos novel, “Hawk.” “Hawk” is about as stylistically far away as it is possible to be from “Worm.” It is written in first-person smart ass. It is terse, sarcastic. Descriptions are sparse. The language is colloquial, contemporary. If I haven’t made myself clear (and I probably haven’t) I love it.
There are many who cannot appreciate “Worm.” The prose is too dense, too purple. The speech is stilted, unnatural. And he who requires a novel to reaffirm his socio-political convictions will not make it through the first fifty pages.
There are many who cannot appreciate the Vlad Taltos books. The prose does not conform to some readers’ notions of what period fantasy should be. It is unabashedly contemporary. He who requires immersion in faux-historical language will not make it through the first page (though this particular reader might enjoy the “Phoenix Guard” novels.)
Me, I love the gamut. I look for a good story, and I don’t care if it is vintage or modern. So I’ve got that going for me.