I have a number of well-worn anthologies on my shelves. It has been said that shorter fiction is the proper length for Swords-and-Sorcery. Maybe so. At least in an anthology the reader has access to multiple imagined worlds in a single volume instead of the single world of a novel. I thought I’d investigate this somewhat, revisiting these collections. And what better volume to start with than Flashing Swords #3?
Here is another entry in my irregular series on Appendix N. Today I’m considering Lin Carter.
Those of us who enjoy fantasy of a bygone era, pulp or otherwise, owe a debt to Lin Carter. Many consider his great contribution to the field to be his collating and editing of past masters, either in anthologies (e.g. “Flashing Swords”) or in reprints from the Ballantine Adult Fantasy series. I doubt I would have encountered James Branch Cabell so early had it not been for Lin Carter championing the great writer.
As a writer himself – well, a man’s reach should exceed his grasp. Right? I certainly am not going to cast the first stone, despite sitting through more than one Thongor of Lemuria story. I haven’t got around to any of the Callisto books. I’m not in any particular hurry to do so.
But what I think of when the name Lin Carter flashes across my mental radar is “Tolkien: A Look Behind the Lord of the Rings.” I picked up a copy of the paperback at a yard sale when I was a kid. A pristine copy. I must have read it through cover to cover three or four times. It is still in pristine condition – I was a fastidious custodian of my paperbacks back then, less so now. But what a great book. I’ve since heard rumblings about the accuracy of his scholarship, but at the time that book opened up new literary vistas for me. I’ll be forever grateful to Mr. Carter for it.
That’s all for today. Still dealing with the aftermath of water damage, so back to manual labor.
I come to praise L. Sprague de Camp; let others bury him in undeserved, virulent dudgeon.
The man’s fingerprints are all over science fiction and fantasy from the Golden Age of science fiction up until the end of the Twentieth Century. He more than earned his place in Appendix N. He was prolific, fighting in the Isaac Asimov weight category (though, let’s face it, Asimov remains undefeated for sheer volume of publication.) De Camp’s writing was urbane, learned, witty, and full of clever innuendo. I, for one, love it.