The Mighty Swordsmen comes close to delivering precisely as advertised, and even its single lapse is excellent. I admit to a lack of familiarity with the editor, Hans Stefan Santesson. He provided a short introduction, rambling about sorcery and what we’d probably now refer to as “deep time.” It doesn’t seem to have much to do with the stories inside, unless you want to find some reason to believe the events related might actually have happened. Nonetheless, Mr. Santesson shows a good eye for material.
Another volume curated by L. Sprague de Camp, The Spell of Seven offers a stellar lineup of talent. Each of the seven tales features a Virgil Finlay illustration. How about that for lagniappe? Now, I’m guessing the cover looked better as a pencil and ink drawing. Colored, it looks more like the cover to an EC horror comic than the cover to paperback short story anthology. But that’s grousing and doesn’t in the least detract from the yarns behind the cover.
This one is a gem. And take a look at that cover. Interestingly, it promises cover-to-cover hand-to-hand combat, but while there is plenty of sword-swinging in this Sword-and-Sorcery anthology, the emphasis is on the sorcery. Perhaps that theme is hinted at in the title Warlocks and Warriors, giving precedence to the Warlocks. The supernatural takes center stage in this collection, from sorcerers, to the undead, from demi-gods to druids.
I have a number of well-worn anthologies on my shelves. It has been said that shorter fiction is the proper length for Swords-and-Sorcery. Maybe so. At least in an anthology the reader has access to multiple imagined worlds in a single volume instead of the single world of a novel. I thought I’d investigate this somewhat, revisiting these collections. And what better volume to start with than Flashing Swords #3?